Jumat, 24 Agustus 2012

Become A Boring Filmmaker In 10 Easy Steps

How terribly and drippingly cool to work in the creative industries. You get to wear the coolest clothes, sport the strangest hair dye and give yourself the most glamorous sounding job description imaginable - and get away without proving any real talent or ability.

Another defining aspect of the creative industries is there is no code of conduct which means anyone can say pretty much anything about themselves without having any proof to back themselves up.

This creates a situation where filmmakers in particular have become boring.

Here, tongue firmly in cheek, are 10 ways to become a boring filmmaker:

1. Use complicated film industry slang words
Why speak clearly and sensibly when you can, in fact, roll the simplest concept into a series of complicated scenarios. Brush up on film industry definitions. Sprinkle these terms liberally through each sentence that you speak or write. The more obscure the term the better.

2. Sound really important
When asked any question, respond by lowering your voice, clearing your throat slowly and meticulously - and then begin to speak. Speak in phrases that sound meaningful (but aren't). Stab the air repeatedly for emphasis.

If you are writing, remind the reader repeatedly how fortunate they are to be able to access the high pinnacles of your ability.

Whatever you do, don't poke fun at yourself. After all, no-one dares to approach the altar of your ego without bowing down. And that's not ever going to be funny.

3. Ramble on and on and on
Why answer with succinct and precise answers when a simple concept can be expressed with paragraph after paragraph? If you really want to know how to be really boring, take tip number 3 and practise it day in and day out until your are very confident, that no matter how simple and short the answer could be, you are able to extend it into a response many lines long. After all, you have such an intellect that a mere mortal may be unable to understand the logic behind your short and brilliant response. Therefore, by taking a short answer and expanding it with great detail and spiced with repetition you are merely reducing the chances of being misunderstood.

While you are at it, remember that a subset of this rule is to go on and on about anything way too long.

And that includes writing blocky and chunky paragraphs on websites and in letters.

4. The tyranny of the vanity business card and job title
What ever you do, get two business cards. Get one that lists your name and occupation - say, film journalist, or photographer. Then go to a film organisation and get them to give you another business card and a vanity job title, like "Consultant", or "Creative Director" or "Executive Contributor".

Film organisations fall for this all the time. They dish out vanity cards with swishy job titles to try and impress other boring people at other film festivals.

By the way, it doesn't stop with the actual business card itself. Once you have duped someone into giving you a swishy title, you can start to fabricate imaginary CVs and career accomplishments and plaster them on your website. Behavior like this it, well, boring.

5. Ignore the audience
Resist the urge to speak or write naturally. A quick way to be boring is to completly ignore your audience and speak as if you are addressing an audience of one - yourself. If anyone challenges you and accuses you of being boring, remember that you don't care. Rise above such petty criticism. Becauue you are too beautiful.

6. Get some pictures
How many times has a friend come back from holiday, sat you down for a Friday night "catch up drink" and started the conversation with: "I have got to show you some photographs!"

This is a time-tried and tested technique to make you boring.

Get lots of pictures of you with famous people - even if you have to photoshop yourself into them. Get other pictures of you swanning around at film festivals (holding your vanity business cards of course). For added boring bonus points, make sure that these photographs are sited in as many exotic places as possible.

7. Branded sunglasses
Make sure you constantly flip on sunglasses with a large major design log on the shaft. Make sure everyone sees the logo. If necessary, nonchalantly gesture to it, or tilt your head 45 degrees to make sure they see it. Carry the glass case in your hand for everyone to see. Don't put it in your bag. Why hide your lights under a bushel?

If possible, don formal wear whenever possible. Girls: a slinky party dress mid-morning makes you boring almost instantly. And guys - haul out the shirt and tie. It's been true for generations: a suit, especially with a tie knotted a bit too large and a suit cut a little bit too wrong will make you the dullest gent on the street.

8. Name dropping
This tip is as old as the hills and barely merits mentioning. Dropping names of important people into your conversation is a sure fire way to become the biggest stiff on the street. For added marks, never use the surname. For example "when Quentin and I... " or, "Marty said to me... "

9. Let others fill in the blanks
Why substantiate your statements when you can make a statement, and close off with "well, you know... " and let the listener or reader decide what it was you are referring too.

Naturally you are by this point hoping that everyone you meet will be so awed by your intelligence that they won't have the balls to challenge you. And that, my friend, is really boring, you know... ?

10. Bad mouth others
If you want to get the "best bore around" label, start badmouthing everyone you can think of to as many people as possible all the time. You will quickly get known as the most boring person there is.

Fade Out
I hope that these are some useful tips on how to become the most boring person around. I thought I would expand on points number 2, 3, 5 and 9 above and add one further pointer:

Bonus: Celebrate continuously
Never go out for a social drink. Instead 'celebrate' for example, repeatedly announce things like: "Yippee, I won. Time for champagne."

Now isn't that boring?

I am pretty sure I have forgotten a way that a filmmaker can be boring. Can you think of anything? Let me know.

Elliot Grove founded Raindance Film Festival in 1993, the British Independent Film Awards in 1998, and Raindance.TV in 2007.

He has produced over 150 short films, and 5 feature films. He has written eight scripts, one of which is currently in pre-production. His first feature film, TABLE 5 was shot on 35mm and completed for a total of $278.38. He teaches writers and producers in the UK, Europe. Japan and America.

He has written three books which have become industry standards: RAINDANCE WRITERS LAB 2nd Edition (Focal Press 2008), RAINDANCE PRODUCERS LAB (Focal Press 2004) and 130 PROJECTS TO GET YOU INTO FILMMAKING (Barrons 2009). His first novel THE BANDIT QUEEN is scheduled for publication in 2010.

Open University awarded Elliot and Honourary Doctorate for services to film education in 2009.


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